The Velodrome is France’s largest football ground with a capacity of over 67,000 and the country’s second largest stadium after the Stade de France. This was the second edition of the

Designed to provide consistent intelligible emergency notification, the TT-1020 delivers precise pattern control and a high level of performance in enclosed linear spaces and other highly reverberant environments.

The TT-1020 utilises

The solution features the Blackmagic Studio Camera 4K for acquisition alongside the ATEM 1 M/E Production Studio 4K and Smart Videohub 20×20.

The studio forms part of the bank’s Equinox Facility

Speaking of the partnership, Faisal Alkhateeb, regional director, said: “When we first saw the Avocor interactive display, we immediately recognised the opportunity Avocor presents for our educational and corporate clients alike.

Designed by Reston, Virginia, acoustics, vibration, and AV consulting firm Miller, Beam & Paganelli and installed by Lee Hartman & Sons of Roanoke, Virginia, the system takes advantage of Attero Tech’s

With its laser light source, the D4000 Series delivers up to 20,000 hours of operation time with minimum maintenance, thus providing users with peace of mind. Underpinning its inherent robustness, is

The Startup Forum, held on Sunday 17 September, is run in association with Media Honeypot, organisers of the eponymous international conference that helps startups and growing companies to identify new business

Sony will bring the next generation of education technology to students across the university’s campuses through its collaborative solution, Vision Exchange.

By working in close collaboration, Sony will provide UWTSD with

With the tour playing over 90 dates in stadiums and large-scale venues around the world, a system that provides accuracy and reliability was needed. L-Acoustics K1 was the ideal choice and

The Stolen Heart Video Map is the signature element of the small but powerful exhibition Stolen Heart: The Theft of Jewish Property in Berlin’s Historic Center, 1933–1945. The exhibition and three-dimensional