The ‘extras’ included 194 SGM Q-7 LED flood / strobes, used highly effectively  for the strobe-tastic onslaught that you expect at a Chase & Status gig as well as bright floods

The ‘extras’ included 194 SGM Q-7 LED flood / strobes, used highly effectively  for the strobe-tastic onslaught that you expect at a Chase & Status gig as well as bright floods

The ‘extras’ included 194 SGM Q-7 LED flood / strobes, used highly effectively  for the strobe-tastic onslaught that you expect at a Chase & Status gig as well as bright floods

The ‘extras’ included 194 SGM Q-7 LED flood / strobes, used highly effectively  for the strobe-tastic onslaught that you expect at a Chase & Status gig as well as bright floods

The ‘extras’ included 194 SGM Q-7 LED flood / strobes, used highly effectively  for the strobe-tastic onslaught that you expect at a Chase & Status gig as well as bright floods

The ‘extras’ included 194 SGM Q-7 LED flood / strobes, used highly effectively  for the strobe-tastic onslaught that you expect at a Chase & Status gig as well as bright floods

The ‘extras’ included 194 SGM Q-7 LED flood / strobes, used highly effectively  for the strobe-tastic onslaught that you expect at a Chase & Status gig as well as bright floods

The Inter-M design was accurately calculated for the required intelligibility, sound levels and coverage and was based around Community R SERIES loudspeakers.

For the main competition rink, Inter-M used 40 R2-694Z high

The ‘extras’ included 194 SGM Q-7 LED flood / strobes, used highly effectively  for the strobe-tastic onslaught that you expect at a Chase & Status gig as well as bright floods

“Sound quality was a high priority for the church from the beginning,” recounts Myron Dyck of Golden West Sound Design. “But they didn’t want something big and gaudy. Years ago, we